There’s a Crack in Everything. That’s How the Light Gets In.
I specialize in helping your music come to life - by enhancing the liveliness, spaciousness, textural depth, and emotional impact in a song. These elements often need special attention when mixing and mastering electronic music, especially, which can lack depth, texture, dynamic variation, and spaciousness simply because of the nature of in-the-box production processes.
I don’t want to polish the face off of your song. I don’t want to round off the details with careless presets. I don’t want to wrap it in plastic and put it up on the superstore shelf, where it can blend in with a thousand other brands of canned applause.
A piece of art shouldn’t be defined by how perfect it is. If you simply chase ‘perfect’ you end up with shelves and shelves of sterile and standardized. Art isn’t actually interested in perfection. Art is intent on expression and discovery, redefinition and exploration. I want to emphasize what’s special and totally unique about your music, not make it sound the same as everything else.
As Leonard Cohen famously sang:
“There’s a crack in everything, that’s how the light gets in.”
Good mixing and mastering should certainly aim to fix any distracting problems in your production. That’s a different thing, that’s a different kind of ‘crack’. That’s not what I’m talking about here. I’m talking about the ‘cracks’ that make your music special, the wrinkles and the quirks that define its unique character.
Your music should not sit safely on the superstore shelf, polished to ‘perfection.’ It should be a daring and dauntless expression of its cracks. By exalting the ‘cracks,’ by treating the cracks as perfect in themselves, we can actually express your music more fully. Rather than polishing away everything unique about your art, we can work on emphasizing what makes it special and unique and exciting. We can let the light shine in.